Friday, 12 December 2008
Margaret Atwood, Kasuo Ishiguro and A2 Literature Coursework
Thursday, 13 November 2008
Shadow in the North by Philip Pullman- review by Luke Morris, Y11
Sunday, 2 November 2008
Girls Out Late- a review by Elllie Panter, age 11
Wednesday, 29 October 2008
The Canterbury Tales- Sex and Thugs and Fol-de-rol...
Tuesday, 7 October 2008
lovereading4schools
See the link below? If you click on it, you get to the Sawtry Community College pages for lovereading4schools. It's an online book-shop like Amazon but better- you get to read extracts first (try before you buy- always a good idea) and some of the money goes back to us at school.
Here's how you use the site:
Go to http://www.lovereading4schools.co.uk/
Go to the red ‘for parents’ registration column on the right. Click on the box marked ‘If you are a parent, register here’
Fill in the details on the registration screen- first name, surname, email and a password.
Lovereading4schools will then send you an email with a link in it to verify your account. Follow the instructions in the email.
You’re now a member of Lovereading4schools. However, there are a couple more steps to take if you want to take advantage of the Sawtry Community College part of the site, which gives you bespoke reading lists created by the English department and means 5% all your purchases will be donated to the school in the form of book vouchers.
In the blackboard box titled ‘Search’ on the left on the lovereading4schools screen, enter ‘Sawtry’ and click ‘search’. This will take you to a list of schools. Find and click ‘Sawtry Community College PE28 5TQ’ You will then betaken Sawtry’s own page. There is a password to enter these pages as an extra layer of security. The password is ‘readallaboutit’
You are now ready to browse the lists, download reviews and extracts and purchase titles at reduced prices, with the added satisfaction of knowing you are benefiting the school. You will also find a link here where you can contact me directly at school should you wish to have a personal consultation about the suitable books for your child.
Buy your books from us- cheap as Amazon, and you're supporting education!
http://www.lovereading4schools.co.uk
Wednesday, 6 August 2008
Across the Nightingale Floor by Lian Hearn
His quest for revenge takes him to places he has only thought of in his wildist dreams. He learns of magic powers he swore couldn't exist. Also he discovers more about his unique abilities such as: preternatural hearing, invisibility, and the ability to be in two places at once. Ultimately, though, it is a journey that will lead Takeo to true love, revenge in Sadamu's Black Castle and his destiny witin the walls of Inuyama.
A fantastic piece of Japanese influenced literature with an exquisite story and relatable characters. Be warned though, as it is also filled with adult laanguage, gore and, shall we say, rather raunchy scenes!!! A brilliant book by Lian Hearn.
Question: What is your view on war/adventure stories like this one and how does it compare?
Next time: I do a review on Grass for His Pillow, the second book in the Otori chronicles.
Indie Kidd by Karen McCombie
Friday, 18 July 2008
Good Omens by Neil Gaiman and Terry Pratchett - A review by Joe C. ; a Y12 Eng. Lit. Student at Sawtry
It's the end of the world... or at least, it will be. Doomsday is near, the Plan has been carried out and the antichrist walks the earth... he's a really nice kid though. The demon Crowley (Architect of the M25 no less) is disenchanted with his job and is depressed with the inevitability of the Earth's destruction, as contrary to Lucifer's will he actually rather likes it in one piece. Another that shares Crowley's interest is the angel Aziraphale, a long time friend of the demon; after all, if you're going to exist for all eternity it's good to have someone to talk to. The four horsemen are gathering (though one's not a man and they don't exactly go for horses anymore) and preparing for their ride.
The book is written with the twisted intellectual humour of Pratchett and tempered with Gaiman's more serious, darker style. There are many brilliant touches such as Pestilence's retirement from the four horsemen upon the invention of penicillin, his position taken up by the 'new boy' Pollution. The entire story is held together by 'The Nice and Accurate Prophecies of Agnes Nutter, Witch' (that's 'nice' as in precise) a book of prophecy so accurate it's almost useless. Once it's introduced you feel the inevitability of the world's occurrences bearing down on all of the characters involved, preparing you for the closing chapters.
Personally I love Aziraphale as a character; as an angel he feels duty-bound to perform the acts required of him by his superiors but chooses the side of humanity through logical thinking and his own preference of the comforts that the Earth offers: tea being a major factor seeing as heaven doesn't do it ("Why does the earth man like dried leaves in boiled water?" ... quote from the wrong book entirely but it seemed appropriate).
Good Omens is a beautiful piece of work taking the Bible's text and translating it into a modern day narrative. I suspect I would have understood more of the jokes and references if I had more than the vague understanding of the Bible than I currently possess. If you're a fan of slightly black, intellectual humour or have read and enjoyed any Pratchett books before I cannot recommend this book enough.
My question: Do the Biblical references used in the book hamper the comedic effect of Good Omens in any way?
Thursday, 17 July 2008
Second Chance by Jane Green- a review by Hollie W., a Y8 from Sawtry
Tuesday, 15 July 2008
Life Swap by Jane Green- review by Jess L. of Sawtry
Flirting for England by Rachel B of Sawtry
Hannibal Rising- a review by Ben of Hinchingbrooke School
The fourth of the Hannibal series written by Thomas Harris. Written as a prequel to the first three novels. However, thinking that the series progressed chronologically, I read this first.
Hannibal Lecter’s traumatic past is revealed, giving readers insight into the demons that haunt him. As a young boy living through Hitler’s Operation Barbarossa, his family is killed when a passing tank is blown up near the family shelter. Only Hannibal and his sister survive. However, when a group of starving Lithuanian deserters arrive, Hannibal has to bears witness to the deaths of a captive boy and his sister. What the men do with the bodies is only implied. The haunting memories leave Hannibal a mute, as he is found and returned to his remaining relatives, his uncle and his exotic wife, Lady Murasaki. Hannibal’s first act of murder occurs as his aunt is confronted by a butcher. As Hannibal grows older, he shares his time between being a prodigy at a French medical school, and hunting down the original group of deserters that butchered his sister. During this, Hannibal discovers he has a ‘gift’ for killing people, and to quote the blurb, ‘becomes death’s prodigy’.
Bit grim, but a fantastic book. The chilling character of Hannibal Lecter is explored thoroughly by tiptoeing through the brilliant ‘palace of memories’ that is Hannibal’s mind. The imagery is intensively graphic and Thomas Harris’ characters provide subtle dialogue that connects the readers to the action.
Thanks for reading.
Ben
Saturday, 12 July 2008
Joe's review on Skulduggery Pleasant
Well hey guys! It's Joe again with another awesome (if I do say so myself!) review. This week I am going to do a review on Skulduggery Pleasant (by Derek Landy), hence the title.
This book is about a 12 year old girl called Stephanie who inherites a mansion in her Uncle Gordan's will. He wrote horror stories and gothic tales about skeletons and vampires and other such things. But could this peculier man have been writing non-fiction? Could it be that when he writes about these things from experience?
When Stephanie has to stay a night on her own in the mansion she meets a wise- cracking detective, who saves her from certain death from a peculier beast. He tells her that his name is Skulduggery Pleasant. A wizard, a detective........oh...... and dead! From then on Stephanie is thrust into a world of magic where nowhere is safe and no one can be trusted. Can she survive in this world with only a talking skeleton for company? Well you will have to read the book to find out won't you?
I really enjoyed it and, trust me, so will you!
From
Joe Davies
QUESTION: How does this book compare to other fantasies you have read?
NEXT WEEK: I start my four week series review on the Otori Chronicals, starting with Across the Nightingale Floor.
Thursday, 10 July 2008
Wormwood by a boy in Y8 at Sawtry Community College
After reading the first few pages of Wormwood by G.P.Taylor, I already had loads of questions that needed to be answered.
At the start, a strange book, the Nemorensis, is introduced, and the story mostly revolves around it. Im the Nemorensis, someone ahs written about out-of-the ordinary occurances, which do actually happen.
Wormwood can be described in many ways. There is some fantasy, science-fiction, horror and mystery. All the characters range from being angles to ghosts, and humans to evil, warped creatures.
Anyway, a new scientist, Dr Sabien Blake, owns the Nemorensis, and partly discover its powers of telling the future. However, the book has a mind of its own. It is able to make people bitter, and have cruel thoughts, and can even create more pages for itself. There is chaos in London when Blake's discovery comes to light, starting with the total darkness, then rabid dogs, and then creatures being created out of clay, and his own fingernails, and sent to kill him. Also when Blake learns that some of his friends have been murdered, and that he has an angel looking after him, he forgets his science and starts to understand magic.
This book has been written as if these extraordinary creatures and occurances could actually happen at any moment, making my spine tingle when I read it alone!
Snap Shot by Ben
I think it is a very good book for people that like action. I recommend it to everyone that can read, of all ages.
I enjoyed this book because it was very easy to read and doesn't use complex words but mainly because it keeps you reading because it has a great story.
It is written in informal language and the first person. I say it is informal because he uses words like 'bill' meaning the police.
I am very happy with this choice of book and would like to read more like it.
Sons of Destiny by Rebecca
This particular book is about vampires and the living dead. Darren Shan includes himself in this series.
The Death Worm by Donald
The Death Worm by Rachel Smith is a thriller for teenagers or above.
It is about a family with social issues who are being pursued by a small creature, similar in appearance to a strip of wet leather.
The book covers awide variety of locations across the world. I found it very scary. Some of the gory scenes make your skin crawl. Very few books are as chilling and gripping as this.
My advice is don't read this book before bed!
This book, although containing gratuitous violence, has a clever plot and is a good read for those who like the action/horror book genre!
Fudge-a-mania by Brittany
I have recently been reading Fudge-a-mania be Judy Blume. I really enjoyed it as I don't normally read unless I have to. I had been reading it in my english lessons and whilst on the bus home and at home i'd pick it up. I think it is a really good book as it has humour and real life things included in it.
It is a really good book because it isn't too long and you don't want to put it down. It is about a boy named peter. He and his family are going on holiday to Maine. He invites his friend to come along but his worst enemy Sheila Tubman and her family are sharing the house with them. How will he survive? You'll have to read the book! Good luck findung the right book for you.
A Brave New World by Claire Dewberry
A Brave New World by Aldous Huxley in 1932 falls into the same 'category' (if you will) of fiction as 1984 and Clockwork Orange, discussing the flaws within our current society and the flaws of a possible future society. Set a few hundred years into the future and primarily within London, a new world is created which is based upon stripping away natural humanity and replacing it with clones of people who believe that 'everyone belongs to everyone else'. Feotuses are conditioned in a factory - before being 'decanted' out of bottles instead of born - to be content within the 'caste' that they are born into (alpha, beta, gamma or delta) and the work that they have to do as a result. Thus those who are born as deltas have their intellectual growth stunted and 'hypnopedia' (repeating government slogans in their sleep) is used to condition them into loving their position in life.
Ofcourse within this new world there are some exceptional people who do not fit within this 'Utopia' and it follows primarily Bernard Marx who finds that even though he was conditioned to be an 'alpha plus' is in fact inferior to the others of his caste. Huxley's choice of name for Bernard is unfortunately obvious in its reference towards Karl Marx and Marxism of the time (a framework of thinking that lead to communism) which is off putting when reading the book. The same can also be said for the main female within the book Lenina Crowne (who shares her name with Russian communist and revolutionist Valdimir Lenin) and indeed many of the other characters. However I feel that their names are not the only problem. These two characters are decidedly unlikeable as main characters go. Bernard Marx offers the reader no confidence within his thoughts and actions as they seem to be simply and inexorably to try and prove himself. But to who? This is also highlighted by another character Helmholtz Watson who is strong, also isolated and more intellectual insitive it seems. Perhaps this is to gain more sympathy from the reader towards Marx or is for some unseen plot device or twist. Lenina is also disappointing, particularly from a feminist point of view, as being one of the few main women she offers no strong character to latch on to and to make you think. Personally she is rather infuriating in her conformity to society and merely tries to tantalize the reader with her potential for being revelutionary.
Having not yet finished the book I realise that the views that I have may well change depending on how Huxley puts across his views of this society, however I feel it brings up some interesting questions about society. To me it is most certainly a dystopian society. Even though all intentions are to create a contented and efficient society the sacrifice is too great: humanity extinct; emotions extinct; the individual extinct. Additionally, although the people are kept 'happy' is happiness not the flip side to unhappiness? Therefore, with the absence of unhappiness would happiness not just become obselete as well? No longer happiness but a 'nothingness'? Could we sacrafice our emotions (and consequently our life experiences) to rid the world of suffering?
Despite some prejudices I am enjoying the book for its explorative ideas, but wonder if it isn't as successful as 1984 as it is further from the contemporary society and therefore loses its shock value.
Tuesday, 8 July 2008
The Odyssey- a post by Matthew Mordue, Y12
The storyline shows Odysseus’s journey back to Ithaca were he encounters Cyclopes, nymphs, sirens and a monster Scylla and Charybdis. These journeys are highly dramatic and exciting and are one of the greatest strengths of the epic poem.
When you read The Odyssey you then comprehend just how many works of literature have copied off it. The idea that Odysseus is a king and has to reclaim his throne under a disguise is most noticeably copied off the Lord Of The Rings' character Aragorn. The Odyssey also invented:
- Invention. Funnily enough before this epic poem was composed characters that were used were in literature were based on old legends (such as Achilles). While most of the characters in the Odyssey are based on old legends (Odysseus for example) a swineherd Eumaeus was invented and Homer does seem to ‘brag’ about this in the narrative.
- The idea of a young character maturing through the storyline and becoming a ‘man’. This happens for the first time with Telemachus.
- A king who is having to use a disguise to get his throne back (LOTR) or checking out his hometown he is king of (Measure for Measure).
- The idea of a perfect woman who is completely chaste. Penelope was actually hugely significant in Ancient Greece.
While the Odyssey is a great work there are some elements that would put some people off it:
Some terms such as xenia and kleos really do need to be understood for the story to make complete sense. Without it the way Odysseus treats the suitors at the end and the maids seem very cruel.
it is quite a hard work to get into because the Ancient Greek world is so far detached form ours that it starts off feeling quite alien.
Despite these points The Odyssey is a spectacular work that has greatly inspired many works of literature. The point I ask is: is there any work that is more influential than Homer’s Odyssey?
Sunday, 6 July 2008
Why is it called 'A Clockwork Orange' then? by Mr D
My students have been nagging me to start a post about Anthony Burgess' novel, A Clockwork Orange, so here it is. The novel (novella if you like, I'm not bothered) was published in 1962 and personally I have no problem calling it science-fiction, in the same way I call Frankenstein science fiction (in the gothic mode) and 1984 science fiction (in the allegorical mode). CO is science fiction in the psychological mode- it explores questions of free will, and it's also richly comic and satirical. Why do people always slag off genre fiction? Jane Eyre is romantic fiction, Dracula's horror. They're just very good examples of those genres. Call a spade a spade, everyone. If it's a really good spade, it doesn't become a 'personal excavatory device', does it? No. A Clockwork Orange is very good science fiction, thank-you.
Having said that, a lot of people don't rate it that highly in literary terms. Including Burgess himself- "It is not, in my view, a very good novel," Burgess wrote, "but it sincerely presented my abhorrence of the view that some people were criminal and others not. A denial of the universal inheritance of sin is characteristic of Pelagian societies like that of Britain, and it was in Britain, about 1960, that respectable people began to murmur about the growth of juvenile delinquency and suggest [that the young criminals] were a somehow inhuman breed and required inhuman treatment... There were irresponsible people who spoke of aversion therapy... Society, as ever, was put first." In other words, not an especially good novel, but an important statement. You can say the same about George Orwell's 1984- with more justification, I reckon, I think Burgess did a better job with plot and character than Orwell, but that's just my opinion.
A Clockwork Orange is set in a future London. 15-year-old Alex, the main character, and his three friends are devoted to ultra-violence and 'horrorshow'. They beat up old men, torture and murder, with no qualms. Despite this diabolical orgy of criminality, they are merry and spirited and horribly, horrilby likeable. Alex is the only one in his gang who has fully conscience of what he's doing; on the contrary, his 'droogs' arrange horrorshow in a rather childish way, without knowing why. While committing ruthless acts of violence, Alex mantains an 'elevated' attitude. He doesn't listen to pop, but only to classic music. After the government decides to brainwash him by the 'Ludovico therapy', he'll be no more able to appreciate his favorite composers. (The name 'Ludovico' alludes to Ludwig van Beethoven.) That's the big question of the novel- can we, should we, protect humnity as a whole by destroying the individual humanity of the individual? How happy would we be to be obedient robots in paradise? More happy than rugged individuals in a violent anarchy? Or, put it another way, if a man has to do good, has no option to be bad, then he's not good at all, is he?
So why is it called A Clockwork Orange, then?
1. When Alex is treated to become sick at the thought of violence, he turns into 'A Clockwork Orange'. Or as the prison chaplain says, "When a man ceases to choose, he ceases to be a man." A clockwork orange is not an orange, in the same was as a man who can make no decisions is not a man.
2. It's something to do with the contradiction and jarring tragedies involved in trying to force soemthing organic, complex and natural (an orange) into a mechanistic, deterministic, Newtonian (you know- like Isaac- he was big on fruit in all kinds of ways and not just oranges...) and ordered (clockwork).
3. Burgess says there's a Cockney phrase, 'weird as a clockwork orange' that he just liked. I'm not sure- I asked my dad once (who was a card-carrying Cockney of Burgess's generation) and he said he's never heard of the phrase- the phrase he used for something odd was much ruder (email me and I'll tell you what it was- if you're over 18...)
4. Burgess knew some Malay, and the word for 'man' is 'orang' or 'orange' (as in 'orang utang'- which means 'man of the forest'. Honest!) So, in a way 'a clockwork orange' is 'a mechanical man'.
5. It's a really cool title. I can only think of five titles that are cooler. Write me a comment and I'll tell you what they are!
Monday, 30 June 2008
Mortal Engines by Joe Davies
It's about a third rate museum curator's apprentice called Tom in the far, far, far future. Every land is barren except for a few little patches. Tom lives in London which can now move as it is built on traction wheels, like many other cities in the world. The planet has been pressured into Municipal Darwinism. This means that the bigger cities eat smaller cities. By eat I mean they salvage the metal and museums and such that there might be in the city/town/villiage.
Anyway, one day a mysterious girl comes to town and everything takes a sinister twist. Tom finds out things about his life that surprise and sicken him. He faces near death experiences, conspiracy theories and secrets that shake the very fibre of his being.
It is an amazing book and i am reading the second book in the four part series. Philip Reeve (the author) is an amazing writer and creates characters you can really relate to.
My question to stimulate discussion is: is Mortal Engines better than Northern Lights (Golden Compass)?
NEXT WEEK: I do a review on Skulduggery Pleasant.